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The same can also be said of the subtitling workflow, which is shaped by the interactions between the subtitler-to-subtitler, the subtitler-to-machine and the machine-to-subtitler. Thus, the subtitling process is not just a mechanical process, that can be encapsulated in a computer program. Instead, the subtitling process is a dynamic, complex one, and it is only through the analysis of the subtitling process as a whole that we can understand the subtitling process as a whole.
The fact that there are no guidelines governing the role of computer technology in subtitle production, and that there is no consensus among practitioners regarding the quality of the output obtained in this way, can be evidence of the fact that the subtitling process cannot be reduced to a straight sequence of subtitling subtitling. In fact, to the extent that every subtitling session can be defined as a process in which subtitler-to-subtitler interaction can be made and undone, it seems clear that the subtitling process is not a linear process, but one that is heavily dependent on dynamic interactions between the various agents involved.
A common belief is that subtitling is somehow different from all the other aspects of the translation business, because the latter include the use of machines. So, although the use of a computer can significantly improve the quality of a translation, the very fact of subtitling texts by software constitutes an undeniable departure from the traditions and values of the profession. Yet, in the case of subtitling, the use of a computer is actually the only way to achieve a truly high quality output. Elsewhere, the continued resistance to this has been evident, due to the fact that, for reasons of time and cost, most companies prefer to employ a manual workflow. The potential financial benefits of doing so are undeniable, yet even if the use of a computer is not mandatory, it should not be frowned upon either.
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